"you could."
Tati. Twenty. Sherlock, Doctor Who, and movies. It's my first blog ever, made just for shameless fangirling, and sometimes, stuff. English is not my first language, so probably I won't make sense sometimes. (Well, not that I would make sense even if it was.)

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There’s a little girl waiting in a garden. She’s going to wait a long while, so she’s going to need a lot of hope. Go to her. Tell her a story.

There’s a little girl waiting in a garden. She’s going to wait a long while, so she’s going to need a lot of hope. Go to her. Tell her a story.


Because you were the first. The first face this face saw. And you’re seared onto my hearts. Amelia Pond. You always will be.


Two layouts of 221B Baker Street, published in the last issue of The Strand Magazine, March 1950.



dramatisecho:

A mash-up that I edited of some of the preview songs from the Season 3 OST. They are in no particular order, and I didn’t use all of them. Hope you enjoy!

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Artwork by Henry Lauritzen, Sherlockiana (Vol. 1, Nos. 3-4), 1956.


Suddenly it felt like we were looking at each other for the first time.

And we began again.



Why “Raggedy Man, Goodnight” was the best line that Amelia Pond has ever uttered:  

doctorwho:

restnoweleven:

Because it’s the end of a bedtime story. The story of a little girl who waited in a garden and grew up to be one of the most remarkable women in the universe. The story of a woman who was forever seared onto the hearts of a raggedy man, who never forgot her. Even after she was gone, it was all still a story…a story in his head. And that’s okay. Because it was a good one. Because it was the best. This is the story of our raggedy doctor, and this is how it ends. 

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chess-ka:

Brief Sherlock thoughts under the cut.

Warning for mentions of suicide.

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